The authoritative bystander: Steve Ayorinde and new Nigerian cinema, By Toyin Falola

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The authoritative bystander: Steve Ayorinde and new Nigerian cinema, By Toyin Falola
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Anyone can choose to be an observer. Any observer can choose to document and publish their observations. However, what stands Steve Ayorinde’s recently published documentation of observations out is authority — hence my decision to title this piece “From the Mouth of the Authoritative Bystander.” Authority is earned: in Ayorinde’s case, he has earned the […]

serve as the feature films spotlighted by Ayorinde for the third decade of the new Nigerian cinema.

In the second part of the book dedicated to directors, Ayorinde profiles 30 of Nigeria’s most iconic film directors — 32 if one chooses to consider two couples separately — a pattern that doesn’t fail to drive home the point that the selection is continued deference to the symbolism of 30, being the number of years for which the new Nigerian cinema has existed.

Trail-blazing Toyin Abraham, Sandra Achums, Taiwo Lycett-Ajai, Funke Akindele, Halima Atete, Hilda Dokubo, Rita Dominic, Adesua Etomi, Kate Henshaw, Nse Ikpe-Etim, Patience Ozokwor, Genevieve Nnaji, Joke Silva, Sola Sobowale, and Mercy Johnson, among other prolific Nigerian actresses, have the spotlight for the third part of the authoritative bystander’s tales.

In “Landmark Events,” the last part of the book, Ayorinde maps out stand-out events that primarily affected the growth of the new Nigerian cinema.

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